I am a Renaissance girl….and I’ve been missing film. There I said it. I’m pretty sure there are plenty of photographers out there who don’t know what I’m talking about. Missing film? Maybe because they’ve never used it or don’t know how. (one of my friends calls them fauxtographers, funny.)
Film is not dead, not by any means.
In 2002 when I saw my first digital images I realized it was nothing like film; where were the smooth highlights? You can’t mess with digital in the camera like you can with film. Highlights are gorgeous for miles and miles with film capture.
But I was determined to make it through the learning curve of Photoshop and figure out how to make digital look like film. Sounds like a backwards way to get from A to B. In some ways I guess it is. My reason for this post is not to get into digital vs film. They’re apples & oranges. Would you ask, which is better, oil paint or watercolor? All mediums have their quirks. LIFE has quirks. When I caught the digital wave I ended up liking Photoshop and never looked back.
Well, I never looked back until now. Homesick for the familiar.
When I saw this site: www.keepfilmalive.org the purist in me awoke and I realized for the past 8 years I’ve been feeling guilty, like I was allowing the death of an art-form. So, the next day I bought some film, took out an old Nikon, and felt again what it’s like to wind film (it’s a manual camera) click, advance the frame, click. It was like Christmas when the prints came back.
NOTE: Prints from film must be appreciated in person. YOUR MONITOR WILL NOT BE ABLE TO SHOW HOW SMOOTH THE HIGHLIGHTS ARE.
When you purposely, generously overexpose film you will achieve highlights that are amazing right out of the camera. When I showed the prints to a colleague she asked “What did you use on them?” That’s digital-speak for “what did you do in Photoshop to make the images look like this?” There was a long pause when I answered “Nothing, it was film.”
Does this mean I’m turning my back on digital? No, I enjoy Photoshop and digital. But it means I’ll be incorporating just 1 or 2 rolls back into wedding capture. Clients will receive hi-rez scans of the negs. And then they’ll have something that these days, is truly rare: prints from film.
Keep Film Alive…thank you Tanja Lippert, purist, artist, photographer extraordinaire for the nudge home.
no comments